translation
February 20th, 2012 § 1 Comment
My wife and I have always respectfully disagreed in our respective interpretations of the meaning of ‘travel’. To her mind, travel is a physical displacement of one’s person to another patch of land somewhere else, with it’s own set of sensation, it’s smells and tastes and temperatures, it’s trees and water and sand and dirt and unnatural, alien clothes and banners and bus schedules set at an angle, different time zones to different streets whose arrangement and layout thereof make little sense to the freshly initiated, uninitiated to this particular culture, with it’s own songs and colours and.. well, I already mentioned the smells.
I, in contrast, travel only from idea to idea, regardless of on whose side of whose line on whose map I happen to, on a moment to moment basis, reside.
I can’t quite understand just quite where we differ – when she writes on her own blog of the various travel experiences she had before we met, it’s very much an exposition and exploration and excitement of her mind just the same.
Her dirt is your dirt, if you so fancy it, and you could go walk those paths too – ask her, and she’d happily draw you a map in green crayon and place in your hand a good compass, and push you just so to get you moving to where you definitely ought to visit.
It’s terribly inviting, seducing, and inspiring. With her, I’m often moved to action, having been whisked off with her to Honduras, across the country on a long, long drive, down to see family, over to see others still.
Just this weekend last, I felt the unsettling consequences of choice creep up my spine, and on a lark, we drove out to another city four hours away, swinging down the highway at great speeds, staying overnight, all because we could, right on the tip of a whim.
Adulthood is a bit of a strange beast that way, especially at it’s onset – which, hmm, seems to take years to set in, but curiously only appears to have firmed up and taken purchase overnight. And yet we can never quite point our finger to which night, exactly, that it appeared.
But overnight, you have all the freedom in the world, and nobody to stop you from exercising it.
Perhaps you’re now an adult when you no longer think to call anyone when you decide to skip town. Or a fugitive, I suppose, might satisfy that criteria.
One in the same? Irrelevant.
Every time I travel her way though, in her fashion, with bags and plans and tickets and vehicles and a watch, those damned, blasted tools, everytime I take to my heels, my heels to the wind, the wind taking the plane, the road under the wheels, transporting, translating, processing my transfer from here to there, I can only stand it for so long before I need to escape back to the world I designed, with things around me that have actual meaning, and people around me who speak in tongues that don’t sound like babbling and about whose facticities I’m vaguely aware.
I think most of all, I find the moment itself as we decide to ‘go’, the most exciting. And it all becomes downhill from there. I think this is the case for me because that moment, the decision-time of the undertaking, that resignation to a plan and the first steps to carry it out – that’s the moment we share in our respective travelling, and I do love to share it with her.
But a drive is a drive, and a flight is a flight. Breathe this air or that air, sit in this chair or that chair. Eat this food or that food, see this form or that form.
I find the senses rather tedious without a great personal meaning attached to the thing being sensed, and because of it, I’m deficient, I’m colourblind to the collective experience.
I eat out almost daily, a luxury and a freedom of consideration, but food means nothing to me at all, it’s a chore and carries with it punishment should I rebel against it’s chains, pains and madness, a fury and truculence that spoils all of my moods should I fail to spoil my appetite. But sitting down to a fresh loaf of bread and tearing out the soft, white innards reminds me of sitting on hard cloths seats in the back of my grandfather’s Jeep Wagoneer, listening to my father and my Nono talk about work.
And now I’m travelling, back to when I was that size and the seatbelt fit me like a blanket, when my feet were so small that my shoes were weightless, where everyone was taller than I, but by virtue of noise and personality alone I fancied them equals nonetheless.
When my grandmother sat at the breakfast table on Sunday morning and the smell of bacon and cigarettes flooded that large kitchen of the house that has since been totally remodelled down to the brick with an unnatural gate out front and a now-distinct absence of life about it, notably only in contrast to the beautiful, vibrant souls that used to inhabit it.
And I’m moved, the same way that cancer, spite, jealousy, miscommunication, betrayal, economics, mistrust, and worst of all, WORST of all – TIME, moved out from that place where the Jeep used to park, moved out from that place all the love that used to inhabit it’s four walls and every nook and cranny, with the odd-feeling wooden doors and brass handles, and the large bearskin rug and hand-made bar in the basement, with the locked door of mystery that my cousin and I curiously tried to pick, where I lived for two summers, where I challenged my aberrant uncle with veiled threats and watched my drunk aunt drive her fist in the wall and SCREAM in my face, not looking at me, but through me, as she re-told and re-lived an old, painful memory.
And here’s where I’ve travelled to, and I’m moved to tears, and I haven’t left the spot I sit. I don’t have pictures or proof, I have only a very precise, unflinchingly honest recall of my time there, but it could have been time spent anywhere, because every place is special when it’s special to a boy.
Ten years from now I’ll write of this moment now, sitting in bed with my wife, click-clacking away at the keyboard, wondering where I’ll next travel to in life, wondering where I’ll go with her next, be it her trip to our honeymoon and great adventures and photographs, or my trip into tomorrow and the day after next, stealing away nuggets of incalculable meaning and value to my soul and recalling them in the highest of definitions, defined perhaps only to me in my own babbling tongue of the thousand voices of my mind, my own chorus and army of librarians, cataloguing my life so that in those pages of my history I might learn anything at all, endavouring to continue to endeavour to become something worthwhile, something worthy of the beautiful moments I travel to on an everyday basis.
Translation is no sort of alchemy or magic, it’s a passage, always a movement, from here, to there. She translates herself and I translate myself; her from home X to place Y, and me from thought to words, words to wheels, wheels to paved tarmac, always firmly on the gas, lifting off, landing abruptly, always taking in everything, no camera needed when I paint the memories by hand.
She mentioned she wants to go to Iceland for our honeymoon. Every day is my honeymoon, because I know someday, someone may ask me about these days, how it feels to be newly married, to be a new adult, what changes, what stays the same. My travels are all, are all in my mind, and my souvenirs are the oft-shed scales and skin I shake off as I go, remaking and reforming all that I’ve been to see about who I’ll try to be when I next set off.
My best travel story is the one where I found someone amazing to travel everywhere with – specifically, everywhere that “I” actually travel to, maps be damned, fuck the compass.
Specifically, in happy translation from now to every tomorrow ahead.
cruelty
February 17th, 2012 § Leave a Comment
No questions about this one; it is written, that I cannot change and I will never forget it, but nevertheless: no questions at all. It is, it speaks, and it’s voice is enough: or will have to be, all the same.
My best writing was never read – I expect this piece to dutifully adhere to that tradition, and should it become insubordinate and garner some audience, I’d ask that we respect it and leave well enough alone.
-~-
Typically in the nowaday should I write anything but fluff, I get calls asking if I’ve got mad or if I’m suffering some sort of crisis. Life is a crisis. Sometimes I’m just feeling honest about that fact.
This is kenosis, and questions are not necessary here.
There is no just reciprocation of the acts of the heart and memory by the ghosts who haunt us and carry away in hand as they go whole sections of souvenir, parts and pieces and strips of the wall’s paper, great axe-gashes in the foundation of our personality cleaved clear from it’s block; our ‘us’, our best estimation of all that we love about ourselves and the worst of our hate; that sad ichor with which we, in broad, equally brazen strokes, slather on and thus affix together, resolutely, the very bonds of our resolve – these stands we take (even when we stand sidelong with a buckling spine and one shaky leg), all those battle lines and lines drawn in the sands of whispers and promises and lies, it’s those determinations, made, determinedly, to never again allow such hurt and rape and love.
In a word(s) – when we should think of anything, the thing of thought apparently owes us little due for the consideration. Gifts inspire gifts, love begets love, whispers – even – can elicit some very soft tears, and thoughts… the most deafening of our myriad favours to bestow – our thoughts remain ours alone, and they run through us like a second set of arteries, just as pervasive, crawling through our skin, inextricably tied to the function and commonplace activities of our heart, running us through with our our own recall, drawing themselves, quartering us, without so much as a sound, wracking us, changing us, bending us to their will, moving our hands and feet and eyes like puppets with invisible strings, puppets in a one-man, one-act play, with no lines and very little movement all the same, with no one to view it but a drama all the same, all the same, same thoughts again and again, rushing, twisting, churning us around and wrapping us in their firm embrace, holding us and our eyes wide open, open to the possibility of forgetfulness, teasing us with a sense of choice, and slamming the cage door shut all the same, all the same, one mind and one life and one trillion ways to live with these infinite memories and I’m to choose just one at any moment, rushing and twisting our arms to choose, to select of the impossible that which to make possible, swearing each choice will be the last one, the only one, the final choice to make, after which all else will be branching therefrom, and the ‘right’ path will always veer left, and all the same I’d veer left even if it were the wrong one.
In dreams and in thoughts, my breath still catches, cold, and I collapse, and this memory’s blood pooling over my hands, same hands quick clutching my chest, and that beating, quick-clutching (double-clutching even) thrum of the heart pounding and choosing of it’s plethora of choice to right to life, making the choice to remain alive as a thing itself worthy of choosing indeed, but reminding me, all the same, that the bloodline of a memory is hydra with many, many heads – with every one being an insurmountable opponent on it’s own, and each insurmountable head looking for it’s own, individual opportunity to spear itself through my jaw, haymakers shattering my cheekbone and crumpling me like an old canvas and earlier work, tossed away as foundational experiment, and remind us that we are slaves, uncommunioned, inarticulate in our minds and fumbling over and through our words as they build out from these thoughts, and we’re strictly unable to think past and remember anything but the same memories that chase us around the room as they please, howling and bellowing like a pack of wolves with five heads a piece, five parts of the same memory, five ways it could have played out, and five seconds of the way it actually did.
In a minute, in a moment, they exercise their option, these monstrous memories, and we are stricken again, without warning or celebration, lashed out at again and reminded, vividly, of a time that is not ‘now’, and reminded, painfully, that that time will never again ‘be’, and all the same convinced that we can NOW never change any of the all that we’ve already painted over and buried alive.
All I’ve ever learned of cruelty, I’ve learned from Memory; one shovelful at a time, burying myself alive, alone with my thoughts, convinced, completely, that I’m alone in my thinking.
We never heal from any of it. We never hate what we loved, never love what we hated. That which harmed, harms. That which inspired, inspires. I will never forget, never heal, never forgive. I will never stop running, chasing, loving, trying, wondering, blaming, hating, or fail to cover and covet the precious as I find it.
And so in the world in which I live, where my mind is Warden, not tool, when I wander off that path, and I act against my heart, even in thought, with a thought or a dream, in the pliable space between the quick-ticks of time; spined teeth taste of my shoulder as the monster’s one-of-many-heads tears painfully my flesh with it’s bite, and in these vivid hallucinations, hurls me through the air, my skin stinging as the fresh air whips across the too-open wound, and I come to rest, injured, at the feet of a memory that’s now cruel, so cruel, so cruel, so cruel to watch.
And as I dream, I watch the insane, dancing scene of my past flavours of happiness, many-coloured and spaced out at great distance but all the same forbidden to my heart. And as I watch, I ache, strained against the nonsense of this idea, all the same unyielding in it’s punishment, cat with nine tails, ten tails, fifty, all the same swinging it with horrid force and no restraint, all the same I see it as my restraint, my pulling of pulleys to wield me around in directions I would not naturally choose to go.
And the ache follows me like a weight, insisting with such heaviness that I suffer it until I admit that I love it, damning me until I admit that it’s holy.
But I can’t, and I won’t, so tear out my liver, so cruel but go on and do it, I’m screaming, do it for my doing that which I must, tear it out again, all the same, day by day.
You’ll hear me scream, and oh, how I’ll scream, right until the chords of my vocals crack from my neck and snap out like snakebites, the voice itself terrified of it’s howl and desperate to escape it’s brutal chore.
And in that screaming, hear these words, remember as I do when I cannot forget, how I used to write with such violence, writing promised to be unread, but written as if the words themselves would take to the wind if ignored, my slashing with adjective left and right, whirling about; HEAR these screams, make room, feel and remember this strength that I used to command at will. Yes Warden, too, remind me of that, remind me of my weapons and their double-edge, remind me how “I” love and what that meant.
Make room for me and my damned ideas and twisted sense of reason, feel that FIRE that I used to throw around, that consuming, debilitating fire that both simultaneously birthed, bathed and brutalized my image, impression and impact on and for everyone I used to know.
An exorcism then? Is that what this is or what’s needed? Or just a rebirth of perspective? All the same, haunted all the same, blind in the sandstorm, whipping about, never likely to be found – but never lost, all the same, ears to the wind as it flies, listening for an echo, never forgetting what it was to see my madness in a mirror.